After more than a decade navigating the creative sea and a lifetime of participating in art and creative competitions since childhood, reflecting back, these four awards from 2015 set the trajectory of my creative career in ways that continue to shape who and where I am today. Achieving them while still a full time student at a safe space - Multimedia University Cyberjaya remains something I carry with quiet pride. I am deeply grateful to my friends, my lecturers, parents and to the scholarship - The Star Education Fund that covered my financial needs and gave me the mental freedom and capacity to pour myself fully into the works.
Backalley of Alor Setar
Winning this award after a few years of trying was the moment I understood something clearly about myself, that I had a genuine ability to observe the ordinary and translate it into something visually beautiful. That same eye for capturing reality eventually became the foundation of how I make a living, Photographing real spaces and on-site properties carries an edge that AI-generated imagery and 3D renders simply cannot replace because at the end of the day, what clients and customers want to see is the actual real site, not a digitally fabricated version of it . In a way, this was the back alley that led me to a sustainable path, one built entirely on skills I had been quietly accumulating since those early days photographing paddy fields in Alor Setar.
Wheel Rolling Home Stop Motion Short Film
Taking part in this short film festival and dedicating months to crafting a stop motion film was one of the most demanding and rewarding creative experiences I have had. The process of connecting still images into motion, capturing each scene frame by frame rather than simply recording it, then stitching everything together manually in post demanded a level of patience I had not exercised quite like that before. It taught me to slow down and find the essence of each moment rather than rushing past it. Among the finalists, my film was clearly the odd one out. But looking back, I am glad I had the courage to put something genuinely different into the room. It is something I hope to revisit again one day.
Flaming Truth 2014
This shot came together through the collective effort of my group — real newspaper, actual fire painting, and a shared commitment to getting it right. It was a university assignment, but I approached it with everything I had.
The process reinforced something important about the value of teamwork. Having classmates who were willing to come together and see it through made all the difference. I was also quietly aware, even then, that this kind of collaborative creative project becomes increasingly rare once university ends — real costs get involved, schedules diverge, and everyone has a living to figure out.
To this day, it remains one of my strongest digital imaging works. The level of planning and human effort involved, from the initial concept through to execution, was unlike most things I have done since. Even the newspaper held in the model's hand was deliberately chosen and carefully placed. Nothing in the frame was accidental.
When I saw that a solo exhibition was being offered as part of the prize, I knew I had to go for it. It took two years of trying before it finally came through. Even then, I made a deliberate choice to hold off on the exhibition until 2017 — timing mattered, and I wanted it to coincide with my graduation, a moment that felt right in more ways than one. The sales from the exhibition went on to help sustain the early phase of my freelancing journey. The plan worked, and that meant everything at the time.
Through that experience, I came to understand just how essential financial planning is within a creative journey. An exhibition has to at least pay for itself — ideally more. I am also deeply grateful to Nando's Malaysia for sponsoring the venue and for bringing VIP guests into the room. For someone without established connections at that stage, that kind of support was not something I could have easily arranged on my own, and it made a genuine difference.
After accounting for framing and printing costs, I walked away with over RM10,000 in clean profit. For a fresh graduate stepping into the real world and figuring out how to bring in clients, that financial cushion gave my creative journey a far more stable footing than I could have hoped for at that point.
My Personal Effort Along The Years
A collection of features and interviews I have had the opportunity to be part of, across various media collaborations. I am grateful for each platform that extended that space to me. Taken together, they offer a window into my persistence, character, and the way my creative and artistic thinking has developed and evolved over the years.
2015 - EXPLORENATION.NET
Q & A with Yong Lin Tan – Sony WPO Youth Photographer of the Year 2015
2015 - The Star Newspaper
Penang teen’s back alley photo wins Sony World Photography award
2019 - FilmTheGap
用相机去发现平凡中的不平凡 Discover the extraordinary through the lens
2021 - World Of Buzz
This Talented Digital Artist Creatively Reimagines Malaysian Food On Local Landscapes!
2021 - Mashable SEA
Artist puts delicious M'sian food in weird and whimsical fantasy scenes
2022 - Free Malaysia Today
Digital artist reimagines Malaysian landmarks
2022 - Tatler Asia
Digital Artist YongL Celebrates Malaysian Food Through 'Foodscapes'
2025 - Stive Asia
Life Is Not All About Work
My Personal Life Achievements in MALAYSIA SYSTEM
Internal belief system without harming the others
Growing up in a Muslim majority country - Malaysia, I hold genuine respect for Monarchy & Islam as the nation's official belief & religion. My family practises Daoism quietly and privately as part of daily life within my own home . On a personal level, Buddhism has become the philosophy and way of life I have grown closest to particularly since the passing of my friend. The concepts of karma, cause and effect and the belief that things naturally course-correct over time have anchored me in ways that are difficult to fully articulate. I am grateful to be living in a country that for all its complexities, remains broadly tolerant and continues to allow different faith systems to exist alongside one another in relative peace
0 Sleep for 2 weeks and years of not sleeping well to sleeping like a baby daily
Back in 2020, when the Movement Control Order came into effect and lockdown began, a quiet panic set in. As a freelancer without a stable monthly income, the uncertainty of whether I could make it through financially began to consume me.
The worry did not stay contained, it spiralled, and before long it had taken hold of my sleep in 2021. Night after night, I could not switch off. At my worst, I went two full weeks without being able to fall asleep at all. What turned things around was stumbling across a hypnotherapist online. Rather than masking the problem with medication, the approach was about learning to live alongside it and gradually, through consistent daily practices like journaling with hand and breathing exercises.
I found my way back to sleep in 2022. It took years of practice to fully settle and back to 'normal' in 2023, but I came through it without a single pill, and I am deeply grateful for that. Today, my sleep is no longer at the mercy of my surroundings or the noise in my head. I wake up each morning feeling genuinely refreshed. I begin the day with prayer and I carry a quiet gratitude that the root of my struggle was never hormonal or chemical in nature. The practices I developed during that difficult period of Covid remain a part of my daily life, and I have no intention of letting them go.
Growing up in a traditional household where sex education was never discussed, and where my parents simply did not have the language or comfort to approach the topic, I was left to piece things together on my own. The internet arrived early, and through classmates at school, I was first exposed to pornography at 14. Without any emotional awareness or guidance, it became a habitual tool for self-relief and for years I had no sense of the harm it was quietly causing, only that it provided momentary comfort in the moment.
It was not until Covid and the Movement Control Order that I came across the nofap movement and began to understand the science and reasoning behind it. That discovery reframed a great deal. What I have come to understand since is that self-control is perhaps the most demanding practice of all and it exists on a spectrum, not as a fixed state. There are highs and lows, setbacks and progress, much like everything else in life that is worth working on.
Sport and physical fitness were never priorities growing up as my focus was always locked onto the next goal... the next creative pursuit... one after another. Body image and weight were things I simply was not paying close attention to. When Covid hit and movement was restricted, my pattern got worse. Food delivery became a daily crutch, movement dropped to almost nothing and one day I stepped on the scale and looked in the mirror: 90kg.
The number did not lie, even if I had been telling myself that carrying extra weight was fine haha. That self-assurance started to crack when my sleep quality declined and daily life began to feel heavier in ways I could not ignore. The people around me started saying what I had not wanted to hear that my weight had crossed into genuinely unhealthy territory.
That was the turning point. A friend who had made the change himself became the model I needed. He inspired me and walked alongside me through the process, and I am grateful for that.
Back in 2017, just before graduating, I set my sights on hiking the tallest mountain in Malaysia and invited three friends to make the journey with me. To prepare, I committed to running laps around my university stadium daily, building the physical foundation I knew I would need.
The hike itself was demanding, but what I remember most is the final stretch to the peak. By that point, it was no longer a physical challenge — it was entirely a mental one. There were moments I genuinely wanted to quit. Having my friends there as anchors made the difference. Their presence pulled me through when my own resolve was wavering, and I made it to the top.
Had I given in to those moments of doubt, I would have turned back just short of the summit. That experience was the first time I truly understood the power of the mind — how it can either close the door on an outcome or hold it open long enough for you to walk through.
It took close to two years to reach this milestone as a solo creator and small freelance team, and it is worth being clear that this was revenue, not profit. My best year brought in RM107,263.97 but outflow is RM117,837.39, so turning that into something genuinely profitable, starting from zero with no safety net, was a different challenge entirely due to the environment, culture and perception here.
I will not pretend luck played no part. For someone in my industry, with my personal principles, circumstances, and background, a fair amount of it was unavoidable and I acknowledge that honestly. What I am most grateful for is every paying client I encountered along the way, people from all walks of life and all races who chose to place their trust and their money in my work. That faith meant everything, and I do not take a single one of them for granted.
Growing up, I used to look at friends who travelled overseas to create their work and quietly wish I could do the same. But somewhere along the way I came to a different realisation — the same thing was possible right here, it simply required more effort to find the extraordinary within the ordinary scenes I had long stopped noticing. That shift in perspective sharpened my eye considerably and taught me to appreciate what was already around me, rather than reaching outward for what was not.
It also deepened something I had not expected — a genuine sense of patriotism, and a growing love for the land, its rhythms, and its celebrations. And in a quiet full-circle moment, the local work I built from that approach eventually made its way overseas on a few occasions.
When I first arrived in Kuala Lumpur, I had no personal transport to speak of. Buses and trains were how I moved through the city, and rather than seeing that as a limitation, I leaned into it with curiosity. Camera always in hand, I would hop on the train and ride to different stations, stepping off to wander the surrounding neighbourhoods and photograph whatever I found. Over time, that habit took me across all the lines in the Klang Valley — not every station, but enough to build a genuine feel for the city and its layers. Even after I eventually got my own transport, the trains remained part of how I moved — occasionally, and whenever it made more sense to save the cost.
I remember my mother telling me plainly that sending me to university was not something the family could afford. The realistic path laid out before me was Form 6, followed by whatever public university would take me. I understood what that meant — having navigated enough of Malaysia's reality by then to know that the creative courses I genuinely wanted to pursue were unlikely to come through that route.
Faced with that, I made a decision. To ease the burden on my parents and to give myself a real shot at studying what I was truly passionate about, I committed to doing whatever it took in SPM to earn a scholarship. I understood clearly that this was my make-or-break moment — there was no other door. I gave it everything I had.
I will be honest — part of what drove me was also not wanting to spend another two years studying subjects I felt nothing for. That was real too, and it sharpened my focus considerably.
I always made it a priority to pay my freelance team members fairly — taking into account both their individual capabilities and the demands of each project. Beyond the financial side, I invested time in guiding them through tasks from beginning to end, making sure they had what they needed to deliver quality work to clients.
Having that team around me created something invaluable — the space and breathing room to focus on my own creative work during the periods when I could still sustain them financially. Without them, every single task would have fallen back on me alone, end to end. That experience taught me, in a very practical way, what delegation actually means and why it matters.
I will admit that for a long time I was either delusional or wilfully optimistic — turning away from what was genuinely happening on the ground, particularly within Malaysia's art and design industry. There is a ceiling to how far you can push within certain environments, and the hard truth is that the people and systems around you will not shift until they are ready to — until something moves them to make that choice themselves.
Learning to accept that reality, and to work around it rather than against it, has been part of growing up. I still intend to hold firmly to my personal values and ethics — without causing harm to anyone, and without aligning myself with anything that operates in the darker currents of this space. The path forward will require patience and careful navigation, but I am committed to finding it on my own terms.
After going through a major shift in life, there came a period of genuine darkness, a time when I lost my footing entirely and fell into the abyss again after March 2024. I even convinced myself that my skills were gone, that the ability to create had left me for good.
But I did not give up. In 2025, I made the choice to try again and that meant returning to full-time employment. The experience was humbling in ways I had not anticipated. Years had passed since my last job interview, all the way back to my university internship and stepping back into that process felt overwhelming. It also taught me something I needed to learn: humility, and the quiet courage it takes to start over without pride getting in the way.
The job and AI tools became a way to reactivate what had gone dormant in me. Muscle memory is real, every skill I thought I had lost was still there, waiting. Day by day, through the work, I felt them return.
The role lasted only 6 months and I am grateful for every part of it. It brought me back to myself in 2026, back into the rhythm I had known before but now with AI tools available to extend what I can do. What comes next feels like a new chapter built on everything that came before it.
Across my years of riding, I have had the privilege of getting to know four different motorcycles - my father's Honda C70, my first bike the Yamaha FZ150i, followed by the Naza N5 250, and eventually the Ducati Scrambler Sixty2 through Ducati Malaysia. I do not have an exact figure, but my best estimate puts the combined mileage at well over 30,000km, covering ground across Peninsular Malaysia.
Riding through this peninsula has been one of the most genuine ways I have come to know and appreciate this land, its landscapes, its food, and the richness of its culture encountered along the way. There is a kind of understanding you only arrive at from the saddle, and I am grateful for every kilometre of it.
This is the car that has been with me since my university days in 2016 - a full manual transmission that my parents drove all the way down from Penang to Cyberjaya for me. When it first arrived, the odometer sat at around 60,000km. It now reads over 220,000km, and it is still running.
There was a time I complained about it endlessly about the problems from one end to the other. But over the years, each issue forced me to deal with it head on and somewhere in that process I found a kind of peace with the uncertainty that comes with driving an older car. For someone freelancing without a stable monthly income, a car loan was never a realistic option and learning to appreciate what I had became less of a choice and more of a necessity.
No regrets. This car has been present for more memories than I can count and it has sheltered me through countless client meetings and shoots when the weather had other plans.
During a better stretch of the business, I gave it a fresh coat of Nardo Grey paint and replaced a number of critical components - the arms, the engine bay, the parts that matter. It carries a great deal of sentimental weight now, and I would not trade that for anything.